The European Perspective
Italian Industrial Culture
An Italian-led consortium is preparing a bid for storied design house Italdesign to keep it under national control. The move, spearheaded by state-backed lender Cassa Depositi e Prestiti (CDP) and featuring ex-Ferrari management, aims to preempt a sale by current owner Volkswagen to an Indian-American multinational. Trade unions have urged government intervention, framing Italdesign—founded in 1968 and responsible for iconic cars like the VW Golf Mk1 and DeLorean DMC-12—as a strategic cultural asset that must not be lost. While the impulse to protect a “national champion” is strong, deploying state-adjacent capital raises familiar questions. This intervention risks distorting the market to favour a preferred national outcome over a potentially more dynamic, globally integrated future. (Ansa)
The Value of a ‘No’
At the Torino Film Festival, British actress Jacqueline Bisset offered a potent case study in artistic agency, recounting her decision to reject the lead role in 9½ Weeks. Bisset explained that after a year and a half of discussions, she refused the part—which later defined Kim Basinger’s career—due to discomfort with the required nudity and a difficult rapport with her prospective co-star. In a cultural marketplace that often demands conformity for commercial success, her choice was a powerful assertion of individual principle over professional expediency. It underscores a timeless tension: the artist’s prerogative to maintain personal boundaries versus industry pressures. This quiet act of defiance serves as a reminder that an artist’s most valuable asset can sometimes be their integrity. (Ansa)
Catch the next Gist for the continent’s moving pieces.
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